Last updated July 11, 2008
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Trainiax --> Photos
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| Locomotive and Rolling Stock Photos |

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All photos copyright Michael Eby unless otherwise noted
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Above: CN C44-9WL 2602 backs over Egerton St. in London, Ontario, after dropping off a string of cars in CN's London yards on July 03, 2008. (click for full-size).
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| North American Trains |

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- Reporting Mark Index -

Most photos on this site have been indexed by reporting mark.  Work is nearly complete in adding remaining old, unclassified photos to the index.

July 11 update: Major update completed! After a trip to Ontario, I came home with many, many photos to be uploaded.  A total of 574 photos have been added, with a few more to come.

Photos Classified by Reporting Mark

- Other Photo Galleries -

Yards
BCR yard in Fort St. John, British Columbia, 2004
BCR yard in Dawson Creek, British Columbia, 2004
CN yard in Jasper, Alberta, 2004
CP Quebec St. yard in London, Ontario, 2003-2005
KPR facilities, Vernon, British Columbia, 2004
MMA/Iron Roads yard in Newport, Vermont, 2003

Excursions and Museums
Montreal-Delson Steam Excursion, CP H-1b 4-6-4 #2816, June 10, 2004

Canadian Railway Museum (Exporail) at Delson/St. Constant, Quebec
Elgin County Railway Museum in St. Thomas, Ontario
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| Photography Equipment |

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- Current Main Camera -
Canon EOS Digital Rebel XTi (November 09 2007- ...)
Also known as the EOS 400D, this became my new all-purpose camera on November 09, 2007 and has been used exclusively ever since.  This is a 10.1 megapixel digital SLR camera.  I had previously refrained from going digital completely by the shutter lag, slow response time and questionable colours I experienced with point-and-shoot digital cameras .  However, this camera retains most of the features that I so enjoyed with my Chinon film camera (reaction time, colour accuracy, SLR design) along with greater image sharpness and much more versatility.  Its 18-55 mm lens (equivalent to 29-88 mm on 35mm film) is a larger range than my Chinon camera, but I'm looking into possibilities for a stronger zoom.  There are more photos on this site taken with this camera than with all previous cameras combined.

- Previous Main Cameras -
Ansco Vision Mini-MAF (Motorized Auto Flash) (1999-April 2003)
For years, I used my first and only camera for train picture-taking, an Ansco Vision Mini-MAF that had no additional lenses or attachments.  Almost all photos posted on the site before May 2003 were taken with this camera, which I received in 1993.  Although picture quality was about on par with a disposable camera, it survived many hardships and was very simple to use.

Chinon Genesis GS-7 Reflex Zoom (May 03 2003-October 2007)
This is an automatic SLR camera from the early 1990s.  I purchased it May 2003 and immediately took a great liking to it.  With a 35-80 mm lens, infra-red autofocusing and a number of other features, it was a huge step forward from my previous camera.  It served me marvelously for many hundreds of photos, with fast reaction time, accurate focus, correct exposure, 1 photo per second capability and solid construction.  I bought a 1.3X teleconverter in 2006, which I used for some telephoto shots.  However, by 2007, as I began to take much larger numbers of photos, film and development became simply too expensive and scanning and dust correction became a major hassle.

- Part-time Cameras -
Canon Powershot S45 (2005-2006)
My first real experience with digital photography was with this camera, which my parents owned.  It was a 4.0 megapixel camera that I often borrowed (and eventually bought) and that I used for photos at Exporail and in the MMA Sherbrooke yard.  It was a very good camera for its time.  Although it lacked the fast reaction time of my Chinon film camera,  it produced good images and had a wide array of features.  Its downfall was problems with the lens cover--a ridiculously complex design that also acted as a power switch.

Sony Cybershot DCS-W50 (2006-2007)
A replacement for my parents' Powershot S45, this camera was occasionally used whenever I wanted to take numerous detail photos and/or didn't have my Chinon film camera handy.  It's a pocket-sized 6.0 megapixel camera with very good, if somewhat grainy image quality, some flexibility and relatively quick reaction time.  I borrowed it while railfanning the SLR and in the MMA Sherbrooke yard until I bought the Canon EOS 400D.

- Experimental Cameras -
Kyocera Samurai X3.0 (July 2002)
This was a motorized SLR half-frame camera that I experimented with for a couple of days in the middle of July 2002, and it was capable of producing very good photos.  However, increased film grain and a terribly indecisive autofocus system made it impratical for moving train photos.  No photos from this camera are currently online.

Olympus OM-1 (March 28, 2003)
I borrowed this camera to take pictures on the day of the 2003 SLR/SLQ derailment in Lennoxville, QC, since I wanted better quality than what my old Ansco camera could offer.  It's a top-notch all-manual film camera that still works flawlessly at 30 years of age.

Kodak Easyshare C533 (January 14, 2007)
I was invited to try this 5.0 megapixel camera, and I used it for some photos in the MMA Sherbrooke yard in January 2007.  It's a fine entry-level digital camera, but as with many point-and-shoot digitals, its reaction time, image quality and flexibility are middling.

- Scanners -
HP Scanjet 5100C flatbet scanner
Up to 2003, prints were scanned with an HP Scanjet 5100C.  It was a good scanner for its time, but its age can be deduced from the parallel-port connection on the back.  Very dark areas tended to get a blue cast.  There are still a couple of very old scans floating around on the site that were made with this scanner.

HP S20 Film Scanner
In July 2003, an HP S20 was purchased to scan the negatives, to take advantage of much-improved image quality from the Chinon camera.  In the following years all previous photos were rescanned with this scanner.   The HP S20 is a consumer-level film scanner capable of scanning up to 2400 DPI.  Colour balance, contrast and shading are accurate, and the easy-to-use software allows many possible corrections or crops.  The scanner does produce some noise in dark areas, which is why shadow detail tends to be better with negative film than with slide film.

- Film -
The standard film I used from 1993 to 2004 was Kodak MAX 400.  Starting in 2004, I experimented with other films after the Chinon camera's sharp focus and the film scanner revealed the graininess of Kodak MAX 400.  My final choice (up to late 2007) was Fujicolor Superia Reala 100.  Click here to see the results of the film types I've tried.

Film Reviews



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Michael Eby 2008